Books
The Crooked Timber
The Crooked Timber is a series of exchanges between Giordano Durante and the Gibraltarian poet and musician Gabriel Moreno.
They discuss poetic craft, the nature of artistic inspiration, the hybrid aspects of Gibraltarian identity, the lure of fame and flattery while also engaging in some middle-aged grousing. The poets also discuss and take apart their own poems in order to shed light on the themes they are drawn to in their writing and to argue for their positions on poetic form.
The printed book is also the fruit of a unique collaboration between local artists: the cover features a painting by Aaron Soleci, the cover is designed by Stefano Blanca Sciacaluga and the interior contains original photos by Daryl Lee Payas.
Giordano said: “We started this exchange two years ago and, at the time, neither of us planned to publish it. As the text grew and became more ambitious, we decided it might be a useful text for other writers and artists in Gibraltar as we discuss the opportunities for a creative response to the Gibraltarian experience and work through what it takes to make a poem, from the first inklings of a theme to the finished and polished product. All this sounds terribly serious but the book is also packed with lashings of self-mockery and those Quixotic flights of the imagination that make life bearable as we face the first signs of physical decay.”
The book is available via Amazon.
Nostalgia Elsewhere
Nostalgia Elsewhere, Giordano Durante’s latest book, was released in 2022.
Blurb: Although some of the themes will be familiar to readers of his previous collections - childhood, memory, Gibraltar’s Upper Town - they’re treated with a greater urgency here, the lyrical impulse to preserve, transform and praise now stronger and more spontaneous.
Many of his latest poems are often savagely humorous and irreverent but they also possess a wistful and tender slant - above all, his aim is to wade his way through the dregs of the past before they’re lost forever.
In his longest work to date, ‘Nostalgia For Lit Windows’, the poet taps into the channels of inexpressible longing that flow through our days. In ‘Machotes’ he looks at the physical decay of men well past their prime as they sweat away in the gym and in ‘La Que Me Limpia’ he toasts the cleaners who move through our homes like perfumed ghosts.
To purchase Nostalgia Elsewhere, visit Amazon.
Machotes
Machotes, a collection of six pieces and two previously published poems, is a limited edition E-pamphlet that examines the notion of Llanito masculinity, released in November 2020.
These poems feature playground name-calling, adolescent memories, old men in the gym and a guy who is worried about what impression his penis will make in the operating theatre - they are by turns humorous, nostalgic, gently mocking but also sharply critical. The machotes come across as brash, confident, driven by booze and sexual desire but also as vulnerable and insecure, subject to the ravages of time and age.
West
This debut collection, published in 2017, starts with a series of poems about Gibraltar. “Alameda Interlude”, one of the most ambitious works here, ties together historical reflection and autobiographical reminiscence. The second section looks at Andalucía and its cities. Durante examines the bizarre rituals of Catholicism and the emotional tug they still exert in “Semana Santa” and “Folklore”. The third section inhabits the metropolitan gloom of London and contains the title poem “West” and meditations on the unacknowledged beauty of the “unloved” towns and suburbs. The final section - a ragbag of pieces which don’t fit comfortably into the previous classifications – contains the deeply personal “Katie” and “Ghost Train”, a tribute to a fairground entertainer.
Reviews for West:
“Durante’s work is tinged with a sense of autumnal yearning and loss. In spite of this, many of his poems also attempt to construct a life-affirming response to physical decay and pessimism by celebrating the transformative power of minor pleasures and delighting in concealed everyday absurdities and the creative power of human memory. Cynicism and the occasional burst of outright misanthropy are always tempered by his wry, self-deprecating tone.”
– M.G. Sanchez (author of the novel Gooseman)
"If the collection had one basic following to heed, it would be that of Hardy’s maxim as quoted in ‘West’: ‘The business of the poet and the novelist is to show the sorriness underlying the grandest things and the grandeur underlying the sorriest things.’ Through ‘Meat’, ‘Alameda Interlude’, ‘Eastern Beach Man’, ‘e-love’, all the way to ‘One’ (the final poem), Giordano Durante heeds the advice of the Victorian poet, making for a stimulating, provoking, and witty debut collection."
- Mark Montegriffo, Your Gibraltar TV, December 2017.
"I have touched briefly on just a few of the poems which make up this collection. There are many more, each as different to the other as the ones included in this review. What they have in common is Durante's economic but rich use of language and his penetrating, pithy observations of human behaviour. His control of form and the pace of his lines, are also impressive, every word seeming to belong exactly where it is placed. We can only hope that Mr Durante will have further poetic offerings to make in the future!"
- Conchita Triay, The Gibraltar Chronicle, December 2017.